This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
Why do we continue to have temperature-based process fluctuations when we have a very tightly controlled ambient environment? It turns out that there is not just one single answer. To understand it, we must start by understanding the hierarchy of the various temperatures involved in the painting process.
In this two-part series, we explore how this carefully crafted design of experiments (DOE) isolated and contrasted the impact and interaction of three key process variables: film build; atomization, and coating viscosity (as determined by temperature).
In this two-part series, we explore how this carefully crafted design of experiments (DOE) isolated and contrasted the impact and interaction of three key process variables: film build; atomization, and coating viscosity (as determined by temperature).
From this testing, it is clear that the temperature of the paint at the nozzle has a significant, measureable impact on surface finish and that each layer (basecoat, clearcoat, etc.) plays a role in the appearance of the final part.